Lot 6
Oceania, Papua New Guinea, Massim culture, ca. late 19th century CE. A finely carved wooden figure depicting a seated zoomorphic being, knees drawn close to the chest, elbows resting upon them, chin set contemplatively in the hands. The head is rounded and subtly elongated, with a blunt snout and small, incised circular eyes suggestive of a small rodent or mammal. The mouth is defined by a shallow carved line, and the overall facial form exudes a quiet, watchful presence. The surface is richly embellished with flowing curvilinear designs in low relief, characteristic of Massim decorative vocabulary, their spirals and scrolls lending the figure an organic rhythm. The figure rests upon an integral rectangular base, also carved with geometric and spiral motifs, grounding it within a visual continuum of pattern. Size: 2.8" L x 1.9" W x 11.5" H (7.1 cm x 4.8 cm x 29.2 cm)
Such figural carvings from the Massim region - encompassing the Trobriand Islands, D'Entrecasteaux Islands, and adjoining coastal areas - often embody ancestral spirits, totemic beings, or protective entities. The posture, with head bowed and limbs drawn inward, may suggest meditation, vigilance, or quiet authority. In Massim art, zoomorphic imagery often blurs the boundary between human and animal, reflecting a worldview in which natural and spiritual realms interpenetrate. The darkened patina, softened edges, and minute handling wear attest to the piece's age and long life within its community, perhaps adorning a ceremonial structure or serving as a talismanic guardian.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA, acquired in 2003; ex-Taylor Dale Gallery, Santa Fe, New Mexico, USA
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#196361
- Condition: Chipping to both ears with proper right ear, almost completely lost. Weathering to surface with abrasions and some stable hairline fissures as shown, but, otherwise, body is intact and presentation is very nice with good remaining detail and rich patina to surface. Trace remains of white pigment in a few small areas.
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