Lot 14A
Oceania, Papua New Guinea, Trobriand Islands, Kilivila-speaking peoples (Massim cultural sphere), late 19th to early 20th century CE. An ovoid and slightly convex wooden shield, locally referred to as a vayola, painted in red and black against a white ground. The surface is painted with complex abstract motifs, including twin star-like medallions and a large ovular panel at the base enclosing paired bird-like figures, spirals, and arched bands. Repeating dash-like or "E" shaped marks fill the surrounding field, creating dense visual texture. The original handles consisting of two horizontal grips made from a thick piece of vegetal cane or vine, are still attached on the reverse, with a modern rope added for suspension. Vayola shields were designed to be eye-catching, deliberately drawing the enemy's attention in battle, these shields signaled the presence of the strongest and most courageous warriors on the battlefield. Yet this visibility came at a cost: killing the bearer of such a shield was itself considered a heroic act, further elevating the victor's status. Size: 31" L x 12.5" W (78.7 cm x 31.8 cm)
Multiple interpretations of the painted design have been proposed, including totemic and mythological symbols (such as birds, stars, and fish), anatomical imagery of human copulation, and mythic references to the gatekeeper Topileta and the deity Tuma of the underworld - interwoven ideas reflecting beliefs in reincarnation, clan identity, and the magical complexity of design.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA; acquired from Taylor A. Dale (TAD) Gallery, Santa Fe, New Mexico, USA; ex-Brussels collection; ex-collection of Patricia Withofs, London.
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#195943
- Condition: Some stable pressure fissures in the wood. Chips and losses to pigment surface layers. Original handles are intact with a rope added for suspension. Staining and discoloration, but overall excellent preservation to motifs and wood.
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