Lot 115A
Pre-Columbian, Central America, Panama, Gran Cocle, ca. 600 to 1000 CE. A striking pedestal bowl rises with elegant proportion, its rounded basin and flaring foot enlivened by bands of geometric decoration in red and black slip. These rhythmic patterns echo forms found in the natural world and may evoke the sinuous markings of the boa constrictor, a formidable predator within the ancient Americas. The palette itself carries symbolic weight - red associated with earth and vitality, and black with forces of chaos - here held in careful balance across the vessel's surface. The result is both visually harmonious and conceptually rich, suggesting a deliberate reference to cosmic equilibrium expressed through ceramic form. Size: 4" Diameter x 4.75" H (10.2 cm x 12.1 cm)
According to scholar Samuel Kirkland Lothrop, "The Gran Cocle culture is a Pre-Columbian archaeological culture that gets its name from the area from which it was based, the now present-day Cocle province of Panama. The Gran Cocle term applies to a loosely studied group of Native American sub-cultures in this region, identified by their pottery styles. The overall period spans a time from 150 B.C. to the end in the 16th century A.D. upon Spanish contact. The most ancient culture is the La Mula period from 150 B.C. to 300 A.D. The La Mula and later Monagrillo and Tonosi pottery styles are identified by their use of three paint colors which were black, red and white (or cream) . . . [and] Most notable in the artistic renderings is the overt use of geometric designs." (For more information, see Armand Labbe, "Guardians of The Life Stream: Shamans, Art and Power in Prehispanic Central Panama" - Bowers Museum of Cultural Art, University of Washington Press, 1995)
Provenance: private San Francisco, California, USA collection, acquired in July 2021 via Artemis Gallery, Louisville, Colorado, USA; ex-private Arcadia, California, USA collection, acquired prior to 2000
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
Please note that buyers are responsible for understanding and complying with the import regulations of their destination country. While we carefully prepare and document all shipments, we cannot be held responsible for customs delays, clearance issues, additional duties or taxes, or any seizure of property. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.).
PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions.
#202244
- Condition: Professionally repaired with restoration and repainting over break lines. Some light surface wear as shown, all commensurate with age. Otherwise, very nice presentation with good remaining pigments and detail.
Accepted Forms of Payment:
ACH, American Express, Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer
Shipping
Auction House will ship, at Buyer's expense
Artemis Fine Arts
You agree to pay a buyer's premium of 30% and any applicable taxes and shipping.
View full terms and conditions
| From: | To: | Increments: |
|---|---|---|
| $0 | $299 | $25 |
| $300 | $999 | $50 |
| $1,000 | $1,999 | $100 |
| $2,000 | $4,999 | $250 |
| $5,000 | $9,999 | $500 |
| $10,000 | $19,999 | $1,000 |
| $20,000 | $49,999 | $2,500 |
| $50,000 | $99,999 | $5,000 |
| $100,000 | $199,999 | $10,000 |
| $200,000 + | $20,000 |