Lot 175
Lockwood "Woody" Dennis (American, 1937-2012). "House 24" oil on canvas, 2009. Hand-signed with date and house number on verso of canvas. A delightful painting by Lockwood Dennis featuring a russet-hued house of nearly symmetric construction surmounted by a crimson red roof, all behind a white picket fence with a white carport in the background. Though dominated by geometric architecture, the manmade structures are nicely complemented by verdant tufts of shrubbery in the foreground and meandering branches of deciduous trees rising from behind the home. This charming suburban scene is set against the apricot-hued sky of a sunrise or sunset; a frequent feature of Dennis's paintings which positions the piece in a liminal space, occupying the transitional time between day and night. Size: 10" W x 8" H (25.4 cm x 20.3 cm)
Lockwood "Woody" Dennis was driven to paint throughout his 45 year career. Painting was the most personal and rewarding artistic endeavor for Dennis. Each canvas reveals new aspects about him as a person - his approaches to life, the environment, and art. During the early years, Dennis was most influenced by the works of Post-Impressionist pioneers of early Modernism such as Cezanne and Matisse. In time, Dennis developed a graphic style informed by the style and imagery he created for his woodblock prints.
Lockwood Dennis was quite eloquent and insightful when asked about his art. The following is an excerpt from the "On Impetus" section of his "Philosophical Musings on Painting": "The impetus to paint is always an experience - a specific place, weather, ordinary things remembered. A celebration of just being here, experiencing the world. The experience itself is somehow lost in the process, and, anyway, its not intended that it should be conveyed. The result is a picture animated by that experience. Dennis continues, "A painting starts with an exuberance. It's good to be alive. The work is a wonderful place. The feeling seems to cover everything, but it relates especially to past experiences, beginning further back than I can remember. It becomes specific in associations with past experiences: Portland, Eastern Washington, Africa; but not with an exact description. The memory of a precise place and time - a moment of past reality is too terrible to bear, there is such a sense of loss, of things gone forever. So it is a present experience, based on the past. And perhaps the cartoon character adds the levity to remove it from the past, or 'animate' it in the present."
Lockwood Dennis' paintings have been collected by the following museums and organizations: Microsoft Corporation, Redmond, Washington; Seattle Art Commission, Seattle, Washington; Hallie Ford Museum of Art, Salem, Oregon; Tacoma Art Museum, Tacoma, Washington; Swedish Medical Center Foundation, Seattle, Washington; Museum of History and Industry, Seattle, Washington; Jefferson Museum of Art and History, Port Townsend, Washington; Whitman College, Walla Walla, Washington; Museum of Northwest Art, La Conner, Washington; Clallam County Historical Society, Port Angeles, Washington; Bainbridge Island Art Museum, Winslow, Washington; US Library of Congress, Washington, DC; US State Department, Washington, DC.
Provenance: Lockwood Dennis Art Estate, Boulder, Colorado, USA
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#188050
- Condition: Painting in excellent overall condition. Hand-signed with date and house number on verso of canvas. House number and old inventory number also inscribed on top edge.
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