Lot 3
Pre-Columbian, Honduras, Ulua Valley, Mayan, ca. 550 to 900 CE. A large, slightly corseted Mayan polychrome cocoa cup, of a hand built cylindrical form featuring two dancing lords wearing elaborate headdresses and capes, each facing forward with what appears to be exaggerated fingers low to the ground, large red "S" shaped fillets between. Band of pseudo-glyphs above and beneath. Size: 4.875" W x 7.875" H (12.4 cm x 20 cm)
The pottery from the Ulua Valley is part of a very unique tradition different even from those found at nearby Copan. The Ulua Valley, centered around the large city of Cerro Palenque, remains a bit of a mystery for archaeologist, because they left no written records, and their connection to the Classic Maya is unclear. It seems to have been a point of trade and transport - a connecting link - between the Maya world further north and Central America.
According to the Smithsonian Center for Materials Research and Education scholars Dorie Reents-Budet and Ronald Bishop, "Today, when high-profile foreign dignitaries visit the White House, they can expect to attend grand dinners and to receive gifts, often custom-made by the best artists in the country. The gifts honor the visitor and showcase the giver's fine taste. In the days of the Classic Maya (250-900 CE), state-level gift-giving was little different, and no gift reflected more meaning or artistic expertise than the painted ceramic vase. Twenty years ago, the hieroglyphs, images, and even origins of these extraordinary vessels were little known. Now, advances in decipherment and chemical technology have made these vases invaluable for exploring the economic, political, and social exploits of the Maya. The vases, used both to serve food at feasts and as gifts presented at such events, were created by highly skilled painters who had mastered the intricacies of Classic Maya religious mythology, ideology, and history, and used hieroglyphic writing as both communication and visual poetry. Artists were highly regarded and often members of elite families." (Archaeology Archive, Vol. 56,Number 2, March/April 2003, abstract)
Provenance: Collection of Y. Kayvan, Los Angeles, California, USA, acquired from a Los Angeles, California, USA gallery acquisition dates range from the late 1990s to 2005
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.)
PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions.
#194120
- Condition: Minor chips at rim, surface deposits and manganese blooms, pigments a bit worn but still all visible.
Accepted Forms of Payment:
American Express, Discover, MasterCard, Visa
Shipping
Auction House will ship, at Buyer's expense
Artemis Fine Arts
You agree to pay a buyer's premium of up to 27.5% and any applicable taxes and shipping.
View full terms and conditions
| From: | To: | Increments: |
|---|---|---|
| $0 | $299 | $25 |
| $300 | $999 | $50 |
| $1,000 | $1,999 | $100 |
| $2,000 | $4,999 | $250 |
| $5,000 | $9,999 | $500 |
| $10,000 | $19,999 | $1,000 |
| $20,000 | $49,999 | $2,500 |
| $50,000 | $99,999 | $5,000 |
| $100,000 | $199,999 | $10,000 |
| $200,000 + | $20,000 |