Lot 2A
Oceania, Papua New Guinea, New Ireland, ca. early to mid-20th century CE. An ornate tatanua headdress mask carved from wood and embellished with natural pigments, plant fiber, catseye shells, and clay. The openwork wood face is attached to a cane frame covered in bark panels, which are then encrusted in a thick white plaster-like clay, with braided palm fronds colored ochre-red, and coconut husk fibers as a coiffure. Associated with the Tatanua dancers, this type of headdress was worn during complex funerary ceremonies, culminating in a five-day celebration sponsored by matrilineal clans. The Tatanua mask represents the ideal male and serves to honor a deceased spirit. Each headdress is unique to reflect the identity of the individual being commemorated. This example features the iconic crested hairstyle worn by young men. The facial expression and pigments were meant to convey masculine power and reinforces the mask's ritual potency. Size: 16" L x 6.5" W x 14" H (40.6 cm x 16.5 cm x 35.6 cm); 19" H (48.3 cm) on included custom stand.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA; acquired in 2002 from Economos Works of Art, Santa Fe, New Mexico, USA.
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#196407
- Condition: Right shell eye is reattached, with some glue adhesive on the surface. Chips and cracks to white clay, and some discoloration and stains to painted pigments. Flaking to ochre pigment on the braided palm fronds. Overall good condition.
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