Lot 52
West Africa, Nigeria, Ibibio culture, ca. early to mid-20th century CE. A rare carved wood triptych style mask composed of three facial panels mounted to a single plank support, the central visage distinguished by vertical fluting and a hollowed back with a wooden horizontal bite bar - evidence of its intended use as a wearable mask. Painted with polychrome pigments and geometric backgrounds, each face is stylized with strong brow lines, and scarification patterns at the forehead. The back features remnants of original vegetal fiber ties and is structurally secured by a transverse rod and binding cords. This mask belongs to the Ekpo masquerade tradition of the Ibibio, used by male associations to honor ancestral spirits and regulate social behavior. The three faces likely symbolize duality and balance - complementary opposites - through which the living interface with the spiritual world. Size: 23" L x 4" W x 12.5" H (58.4 cm x 10.2 cm x 31.8 cm)
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA; ex-Ralph T. Coe personal collection; acquired in 1994 from Taylor Dale (TAD) Gallery, Santa Fe, New Mexico, USA.
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#196342
- Condition: Minor and old inactive insect damage to wood. Fiber cords attached to the bars are frayed and delicate, and need to be reinforced. Pigment has fading and discoloration. Old break repair on middle mask along the projecting neck.
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