Lot 214
Rose Walton (American, XX-XXI). "Snail Takes a Holiday" oil on wood panel, 1999. Signed at lower right and dated on verso. Dreamlike and droll, this whimsical seaside vision by folk artist Rose Walton reimagines the snail as a tender, liberated figure, unburdened by her shell and delighting in a moment of autonomy. The central figure - a hybrid snail-woman with flowing black hair and delicate antennae - glides across a tide of cloud and sea, rendered in soft tones of cream and blue. Her elongated form is composed not of a typical gastropod's coils, but a row of stylized human female breasts and a softly rounded buttock, an overtly feminine and possibly sexualized interpretation that invites deeper readings. This bodily transformation may speak to themes of vulnerability, freedom, and embodiment - perhaps suggesting a woman who, by shedding her "shell," explores a version of herself defined by sensuality and presence, not protection. Size: 11.5" W x 5.5" H (29.2 cm x 14 cm)
Above, Walton's hand-scrawled inscription reads: "Snail TAKES a holiday at the Sea and Left her Shell at home," blending surreal humor with a poignant sense of personal escape. The painting's reverse bears a heartfelt dedication to a friend: "For Anne / With deep appreciation + for being such a special person. I painted this for you. Merry Christmas to you. Peace and Love / Rose Walton 1999." This sense of intimacy and emotional truth is central to Walton's practice. Working in oil on wood, she crafted visual metaphors drawn from memory, femininity, and private mythology. In this piece, bodily exaggeration and playful symbolism combine to explore freedom from constraint - physical, emotional, or societal - with an undercurrent of gentle rebellion and self-acceptance.
Artist statement: "I am a self-taught artist, never having gone to school past the 12th grade, and I have been 'arting' for as long as I can remember. My earliest memories of creativity are of making doll dresses out of candy wrappers and constructing animal figures from the wet mud found down near my uncles natural spring, or collecting discards of bottle caps, string, and old tin cans to make 'people families' with twig arms and green stick legs. I had the luxury of a childhood spent in exploring my tiny world to the fullest. From going on 'safari' with my 6 brothers to white mountain to look for buried treasures (white mountain was a junk pile out in the woods) to exploring natures cast offs of bird's eggs and acorns in the meadow behind our home I was blessed to have parents who provided all of us kids (there were 11 of us) with the freedom to explore, create, and to find our own way in this world. There was never a dull moment in our childhood. This love of exploring and treasure hunting has never left me, because thru my art, I can go back to those memories and recall the sensations of discovery that i felt as a child. My art brings me back to those exquisite feelings of discovery from my childhood. I have been married for 30 plus years and have 5 incredible, wonderful, awesome, cute, kind, patient, encouraging and loving children (see, i am a typical Mom). We have lived here on Walton Road in Pennsylvania for 22 plus years. In our Walton Road home, I have tried to share with my children the freedom and love of discovery that I had when i was growing up. Our home is one big art studio, where you will always find a 'project' in the works. Whether it be 'claying', 'dolling', 'painting' , or just making up banquets out of last nights left overs, there is always a bit of magic involved. Thank you for your support, encouragement and kindness. Thank you for allowing me to share part of my world with you." (source: artist biography on Art Majeur website)
Provenance: private Rochester, Minnesota, USA collection
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#194622
- Condition: Signed at lower right and dated on verso. Inscription / title at top margin and dedication on verso. Natural fissures to wood as shown, but otherwise painting in excellent overall condition with suspension wire on verso for display.
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